“Beyond the Surface is a multi-sensory exploration of what remains hidden until we choose to look closer.”
Born in Florence, Italy, Elisa Palchetti trained her eye in fashion — designing for independent
labels in Italy, then for Next UK in Portugal, then as Head Designer for casual wear at Arden B in
the United States. She then moved to Mexico, where her first solo exhibition
Ámame o Mátame sold out just before the Covid lockdown.
Through paintings created from reclaimed and found materials, Elisa invites viewers into a narrative
arc that moves from struggle to sovereignty. Each painting explores the invisible terrain we all
inhabit: the grip of trauma, the sacredness of motherhood, and the quiet power of choosing
differently. Under shifting lights, the paintings transform. Words emerge. Meaning deepens.
Healing is not linear. It reveals itself in layers.
Artist Statement
I paint because some truths are too large for words alone.
My work merges fluid art with metamorphic portraiture. It begins where language ends — in the space between what people show the world and what they carry underneath. I am drawn to the stories people hold in silence: grief that has no name, joy that survived impossible odds, love that outlasted loss. These are the stories I paint.
Growing up between Florence and the world of fashion, I learned early that surfaces are carefully constructed. What we wear, how we present ourselves — it is armor as much as expression. Painting became my way of looking past that armor, of honoring what lives beneath. The name Beyond the Surface is not a concept. It is a conviction.
This belief shapes even my materials. I paint on reclaimed and discarded surfaces — found objects that others have set aside — because I know that what appears worn or forgotten often holds the most life. And I work extensively with UV-reactive pigments, because I am fascinated by what light reveals. Under ordinary light, a painting tells one story. Under ultraviolet light, hidden layers emerge — colors that were always there, waiting. It is the most honest metaphor I know for what human beings are: multidimensional, luminous in ways that are not always visible.
Healing is at the center of everything I make. Not healing as resolution, but healing as movement — the slow, brave passage from shadow into light.
I paint so that people feel witnessed. Fully. Beyond the surface.
— Elisa Debora Palchetti